The Pact: A Ritual of Truth and Power in Korean Cinema

In Korean, the phrase “to be in a state of sinmyeong” refers to a trance-like ecstasy—a total immersion in the moment. Director Namkyun Kim’s film The Pact (신명) conjures the opposite: a harrowing descent into the dark unconscious of Korean politics. With an occult thriller narrative rendered in the mockumentary format, the film blurs the line between fact and fiction, presence and myth, personal memory and public trauma.

<The Pact> main poster

Fiction Masquerading as Truth: The Power of the Mockumentary

While The Pact is fictional, it is crafted to fracture our sense of what is “real.” The mockumentary form allows the film to simulate the style of investigative journalism—interviews, breaking news footage, live coverage—inviting viewers to decode the metaphorical truth hidden beneath its political satire. Key plot devices such as a shamanistic wedding ceremony in lieu of a campaign rally, the infamous 王 character on a politician’s palm, and a shadowy plan involving martial law mirror real events from South Korea’s political recent past.

Shamanism and Political Allegory: Who is Yoon Ji-hee?

Actress Gyuri Kim’s portrayal of Yoon Ji-hee is not a mere villainous act. Ji-hee is a spiritual manipulator, a woman who erases her past through plastic surgery and identity fraud, and rises through proximity to power. She embodies a broader metaphor: the corruption of democratic ideals by personal mythologies, superstition, and ritualistic performance in politics.

The Actor as Witness to History

Gyuri Kim herself was once blacklisted in Korea’s culture war—a fact that adds weight to her performance. Her role as a woman believed to be modeled on a former First Lady is a reclaiming of agency through art. Similarly, actor Nae-sang Ahn plays an investigative journalist who dares to confront systemic darkness, carrying the film’s moral tension with restraint and gravity.

<The Pact> still cut

🔗 'The Pact' Launch Trailer

Genre Experiment and Visual Semiotics

Visually, The Pact merges the gritty realism of citizen journalism with eerie symbolism drawn from Korean shamanism. It is both a political thriller and a cultural exorcism. News clips, CCTV footage, ritual dances, and whispered testimonies form a collage that challenges our assumptions about truth, memory, and power.

Censorship, Freedom of Speech, and the Role of the Audience

Originally scheduled for release on May 28, 2025, the film’s premiere was delayed to June 2 due to its politically charged content. The filmmakers allege interference and suppression, a reminder that the battle over who gets to speak is ongoing. As such, The Pact is not just a film—it is a symbolic act of resistance.

Conclusion: Shamanic Democracy?

Is it possible for democracy to coexist with mysticism? The Pact doesn't provide a definitive answer, but it forces us to confront the question. The film stands as both mirror and ritual—a cinematic gut (Korean shamanistic rite) in which Korea’s political subconscious reveals itself in terrifying clarity. To international viewers, The Pact offers more than Korean political critique; it presents a case study in how cinema can reclaim narrative power where journalism may falter.

Category	Details
Title	The Pact (신명)
Genre	Occult Political Thriller, Mockumentary
Director	Namkyun Kim
Production	Open Mind TV, Citizen Crowdfunding Project
Rating	PG-15 (for thematic content and political tension)
Release Date	June 2, 2025 (postponed from May 28 due to controversy)
Main Cast	Gyuri Kim as Yoon Ji-hee – A shamanistic political figure who manipulates power through rituals and secrets. Nae-sang Ahn as PD Jung Hyun-soo – An investigative journalist chasing the hidden truth behind her rise.
Synopsis	A young girl obsessed with rituals grows into a mysterious woman who hides her identity and infiltrates the highest circles of power through charm and occult influence. As her grip tightens, journalist Jung Hyun-soo attempts to uncover the eerie bond between her and a presidential candidate—revealing a nexus of sorcery, deception, and ambition.